I’ve been ignoring my modular synth for a few months. (Among other distractions, I was busy writing the new edition of Power Tools for Synthesizer Programming, which I’m hoping will be out by mid-January.) Today I thought I’d fire it up again. This is not a complete piece of music, it’s just a sketch:
As usual, I recorded the audio from the synth into Reason and did a bit of mixing there. The cool thing is, with a complex patch I can record up to six audio signals at once by using the Expert Sleepers ES-6, which sends ADAT-format digital audio to the PreSonus AudioBox. This particular sketch only uses three tracks, which means I can get twice as wild and crazy as this.
I’ll probably need a few more patch cords, though.
Rather than start with a musical idea, this patch started with a technical question: “Hey, can I use the Make Noise Maths as a slew limiter? I don’t remember.” Okay, that works. Let’s voltage-control the slew rate. Okay, how about running the output through a quantizer?
Yeah, that works, but I think I need to trigger the quantizer so as to produce a regular rhythm. That way, I can fire an envelope generator with the same rhythm, run the oscillator through a filter, and modulate filter cutoff.
And so forth.
This next bit, again just a sketch, wasn’t recorded all in one pass. It’s three separate mono tracks recorded using the same patch, with a few assorted tweaks. The rhythm is courtesy of Tiptop Trigger Riot, and the tone comes from a Morphing Terrarium, a digital oscillator that was indeed morphing actively (and being subjected to a bit of FM). My initial conception was to use all four sections of the Intellijel Quadra envelope generator.
I still don’t know if this type of minimal exploration qualifies as music, but I’m not sure I care.