Monthly Archives: May 2014

Power Tools Update

Good news, and you’re reading it here first: Hal Leonard has agreed to do a new edition of Power Tools for Synthesizer Programming. The book is now ten years old, and continues to sell (though not in large quantities). A … Continue reading

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Roll Your Own Theory

Last night I started musing about how one might develop a coherent theory of harmony (that is, scales and chords) for a tuning with 31 equal-tempered steps per octave. This tuning, which we can call 31et or 31edo for short, … Continue reading

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More About Skeletons

In; reading Nicholas Cook’s A Guide to Musical Analysis, it strikes me that the analysts whose work he describes (such as Schenker and Reti) have made a fundamental mistake; they’ve attempted to apply their methods across the board to all … Continue reading

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A hundred years ago or thereabouts, a fellow named Heinrich Schenker developed a method for analyzing the structure of pieces of classical music. His method, which is known as Schenkerian analysis, is of some academic importance — and that’s a … Continue reading

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A Hit Before Your Mother Was Born

Lately I’ve been recording new and slightly twisted arrangements of Beatles tunes, using Reason 7.1. This is great fun — they’re memorable tunes, and they inspire me with creative ideas. “Day Tripper” works well in 5/8 time, for instance. But … Continue reading

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